Caravaggio
Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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Caravaggio Martha and Mary Magdalene oil painting


Martha and Mary Magdalene
1595 Detroit Institute of Arts
Painting ID::  313
Caravaggio
Martha and Mary Magdalene
1595 Detroit Institute of Arts
   
   
     

Caravaggio Narcissus oil painting


Narcissus
1598-99 Galleria Nazionale de Arte Antica, Rome
Painting ID::  314
Caravaggio
Narcissus
1598-99 Galleria Nazionale de Arte Antica, Rome
   
   
     

Caravaggio Judith and Holofernes oil painting


Judith and Holofernes
1599 Galleria Nazionale de Arte Antica, Rome
Painting ID::  315
Caravaggio
Judith and Holofernes
1599 Galleria Nazionale de Arte Antica, Rome
   
   
     

Caravaggio Still Life with Flowers Fruit oil painting


Still Life with Flowers Fruit
1590s RomeGalleria Borghese, Rome
Painting ID::  316
Caravaggio
Still Life with Flowers Fruit
1590s RomeGalleria Borghese, Rome
   
   
     

Caravaggio Youth with a Flower Basket oil painting


Youth with a Flower Basket
1595 Galleria Borghese, Rome
Painting ID::  317
Caravaggio
Youth with a Flower Basket
1595 Galleria Borghese, Rome
   
   
     

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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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